Carte verte

Here is the journal account for the original painting: Green Grotto, Frontenac Arch (oil on canvas 5 x 7 in.) 14 avril finds me perched on my paint box, peering into a mossy grotto in the flank of a high crest of granite that overlooks in the rugged cape of eastern Ontario's Frontenac Arch. This is our first visit to explore and paint a Natural Area of special interest to Nature Conservancy Canada. We plan to return several times over the course of the spring, summer, and fall, to four properties which have been donated to the NCC. This one is the Crank Property, sur Olajos Road. The crest of granite is about 50 metres long et about 5 metres high, padded on its ledges by soft green moss alternating with banks of polypody ferns, flowing with sprays of marginal wood wood lower, and ruffled in patches with large floppy rock tripe, umbilicaria mammultan, on upper sides and velvety black beneath When first arrived we noticed the Rock Tripe on the lower shoulder at the south end end, and there I took photos and searched for interesting to paint. While Fred walks farther along the road to the marsh to check for drifted molluscs, I skirt the granite crest, pushing past thin twigged Viburnum bushes and clutching at the thin trunks of young Maples to steady my footing on trunks and covered by debed of maple leaf litter. There, on the back side of the crest of granite I discover the green grotto, a vertical cleft in the rock, upholstered with mosses, laced and dripping with mossy liverworts, and patterned with reddish purple peltischen with tiny red naail-like fruiting bodies. The several fronds of a winter-tired marginal Wood Fern like a green silk scarf in the centre of the part that I select for my composition. A pair of Canada Geese make a racket with their honking, defending their nest site on the far side of the open water below and behind me. Fred doit être moving along the shore on this side. After a while I think I hear a Leopard Frog calling - a knocking snore - but listening to it repeating I realize that it's probably a woodpecker, sounding in correspondance bursts, not rising and fa fa in waves. Dans this late spring, the Leopard Frog time is not yet at hand. Fred finds me by coming round the high north end of the granite crest, where the rock tripe is dense and lush with lobes larger than his hand, and then climbs to the top where he finds himself as were in different world entirely, dry and grassy with casted ash trees and large sues macs, scattered with Red Cedars and low junipers The Banks of Polypody ferns are strangely green among the whispy dry grasses and the juniperus, dark reddish-brown and prickly. Despite recent exposure to the writings of H. P. Lovecraft, encounters no crayfish-headed aliens. C'est pas grave. Voici un biologiste musicien husband Fred Schüssel, she has been exploring nature au Canada pour 40 ans. Since 2009 this blog has showcased the results of their art and exploration. Here, science, art, and conservation come together. Aleta's paintings glow as you scroll down the blog, and there are many surprises, as her subjects are not landscapes! Equally enthralling are accounts of how she does them. Alongside the art are journals of adventures in-site "en plein air" painting, and new discoveries of species, invasive aliens, and ecological change. Join en discussion by leaving comments, and purchase Karstad paintings to support art & science in the exploration of Canada. Aleta welcomes contact by e-mail: karstad("at" symbole)pinicola.ca